LOÏE. 03

Summary/ Sumario Loïe. 03

Sumarios Loïe.
30 de April de 2019
By: Magdalena Casanova · Susana Temperley
Available on:
Spanish
English
Available on:
English Español

Summary Loïe. 03

Date of publication: abril, 2019

 

EDITORIAL por Magdalena Casanova y Susana Temperley (Español)

REFLEXIONES/ REFLECTIONS

  • Class Essay: About classifications, beliefs, black cats that do not exist, genetics, Screendance practices, the Frame Rush Festival and about how to impulse new possibilities by Clauida Kapenbergg (English)
  • Screendance and Surrealism by Franck Boulègue (English)

ENTREVISTAS/ INTERVIEWS

  • ¡Esto es un tanque de agua, no una bañera! Entrevista a Giselda Fernandes por Carla Torres (Español)
  • Videodanza y curaduría: de la práctica a la teoría. Entrevista a Silvina Szperling por Silene Mozzi y Mauro Cacciatore (Español)

EXPERIENCIAS CURATORIALES/ CURATORIAL EXPERIENCEs

  • Collective Signatures – Performing the BODY / Performing the TEXT by Francesca Carol Rolla (English)

PERFORMANCE

  • Name and Break the blocks. A Performative Lecture by Preach R Sun (Edited by Francesca Carol Rolla) (English)
  • La Suspensión por Juan Miceli (Español)

ENCUENTRO

  • Danza en Diálogo con Quio Binetti en el 3° Encuentro de danza del NOA por Laura Navallo  (Español)

GALERÍA / GALLERY

  • Escenas vedadas. Serie fotográfica de Fausto Jijón (Español)

 

Sumario Loïe. 03

Fecha original de publicación: abril, 2019

 

EDITORIAL por Magdalena Casanova y Susana Temperley (Español)

REFLEXIONES/ REFLECTIONS

  • Class Essay: About classifications, beliefs, black cats that do not exist, genetics, Screendance practices, the Frame Rush Festival and about how to impulse new possibilities by Clauida Kapenbergg (English)
  • Screendance and Surrealism by Franck Boulègue (English)

ENTREVISTAS/ INTERVIEWS

  • ¡Esto es un tanque de agua, no una bañera! Entrevista a Giselda Fernandes por Carla Torres (Español)
  • Videodanza y curaduría: de la práctica a la teoría. Entrevista a Silvina Szperling por Silene Mozzi y Mauro Cacciatore (Español)

EXPERIENCIAS CURATORIALES/ CURATORIAL EXPERIENCEs

  • Collective Signatures – Performing the BODY / Performing the TEXT by Francesca Carol Rolla (English)

PERFORMANCE

  • Name and Break the blocks. A Performative Lecture by Preach R Sun (Edited by Francesca Carol Rolla) (English)
  • La Suspensión por Juan Miceli (Español)

ENCUENTRO

  • Danza en Diálogo con Quio Binetti en el 3° Encuentro de danza del NOA por Laura Navallo  (Español)

GALERÍA / GALLERY

  • Escenas vedadas. Serie fotográfica de Fausto Jijón (Español)

 

About:

Magdalena Casanova

She is an Specialist in Critic and Divulgation of the Arts -UNA/National University of the Arts, Argentina-, MFA candidate also at UNA, and teacher at the subject “General History of the Movement Arts” at the Trans-departamental Area of Arts Criticism, UNA.
Casanova is a dance critic. Researcher at UNA’s IIEAC (Research Institute of Arts Criticism) where she works on the discourse analysis of Contemporary Dance criticism in Buenos Aires, and, independently, about Education through movement. She has presented the results of these investigations in several Conferences and Symposia, and has published numerous articles in diverse Argentinean media.
Magdalena is a dancer and contemporary dance teacher, and has worked as a choreographic and direction assistant for dance and theatre pieces en obras.

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About:

Susana Temperley

Temperley has a PhD in Arts (UNA) and she is an Specialist in Critic and Divulgation of the Arts (UNA/National University of the Arts), as well as in Analysis of Choreographic Production (UNLP/National University of La Plata), and Licentiate in Social Communication (UBA/National University of Buenos Aires). Since 2007 is a Professor in Semiotics and Theory of Communication, as well as in Semiotics of the Arts at the Arts Criticism Area (UNA).

For the last decade, she is dedicated to study the relationship between dance and technology and their problematics around contemporary art languages. She has published articles about this topic in Argentinean and international media.
Temperley is author of the book Screendance, Complexity And Periphery. Towards a Platform for Analysis of Dance in Interaction with Technology, 2017, RGC, Buenos Aires) and and Co-compiler of the book Terpsícore en Ceros y Unos. Ensayos de Videodanza (Terpsichore in zeros and ones. Videodance Essays, 2010, Guadalquivir, Buenos Aires).

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