<\/p>\n
Ciclo Tecnodanza, directed by Mariel Leibovich and co-produced by Fundaci\u00f3n Cazadores and Festival VideoDanzaBA, took place between October and December 2021 at the Sala Lado B of Fundaci\u00f3n Cazadores.<\/span><\/p>\n This project seeks to promote, produce and disseminate works that inhabit the crossover space between dance and technology, and that are a fertile ground to critically and creatively address the relationship between body, movement and technique.<\/span><\/p>\n In its first edition, it included a retrospective section to approach the genealogy of technodance in Argentina through three fundamental artists: Alejandra Ceriani, Margarita Bali and Oscar Araiz. Together with Susana Temperley, Alejandra Ceriani explored a sector of her career through a performative installation. Oscar Araiz, in dialogue with Mariel Leibovich, reviewed his career and particularly those early works he experimented with projections. Margarita Bali presented her latest work –<\/span>Tritones y nereidas en un mar de pl\u00e1stico<\/span><\/i>– and conversed with Alejandra Torres.<\/span><\/p>\n On the other hand, the residencies section included three projects that worked under the mentorship of Silvina Szperling and then had an opening to the public: <\/span>CTRL+SHIFT+C<\/span><\/i>, by Mauro Cacciatore, <\/span>Por la curva<\/span><\/i>, by Cuerpes, and<\/span> Voluntad improductiva<\/span><\/i>, by Jimena P\u00e9rez Salerno in collaboration with Mar\u00eda S\u00e1bato.<\/span><\/p>\n <\/p>\n Art direction and curatorship:\u00a0<\/span>Mariel Leibovich<\/span><\/p>\n Mentoring for residencies and artistic advising:\u00a0<\/span>Silvina Szperling<\/span><\/p>\n Co-production:\u00a0<\/span>Festival Internacional VideoDanzaBA y Fundaci\u00f3n Cazadores<\/span><\/p>\n Production assistance:\u00a0<\/span>Marina Andreotti<\/span><\/p>\n Photography and audiovisual:\u00a0<\/span>Pablo Linietsky<\/span><\/p>\n With support from <\/span>Mecenazgo<\/span><\/em><\/p>\n Social media: @tecnodanza\u00a0<\/span><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Ciclo Tecnodanza, directed by Mariel Leibovich and co-produced …<\/p>\n","protected":false},"author":2,"featured_media":6462,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29],"tags":[],"class_list":["post-6454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-galeria","ediciones-loie-11"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/6454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/comments?post=6454"}],"version-history":[{"count":6,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/6454\/revisions"}],"predecessor-version":[{"id":6738,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/6454\/revisions\/6738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/media\/6462"}],"wp:attachment":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/media?parent=6454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/categories?post=6454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/tags?post=6454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}