{"id":3683,"date":"2020-02-21T11:10:26","date_gmt":"2020-02-21T14:10:26","guid":{"rendered":"http:\/\/loie.com.ar\/?p=3683"},"modified":"2020-02-21T16:58:39","modified_gmt":"2020-02-21T19:58:39","slug":"sumario-loie-05-summary-loie-05","status":"publish","type":"post","link":"https:\/\/loie.com.ar\/en\/loie-05\/sumario-loie\/sumario-loie-05-summary-loie-05\/","title":{"rendered":"\u00a0Summary Lo\u00efe. 05 \/Sumario Lo\u00efe. 05"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: center;\"><b>Sumario Lo\u00efe. 05\/ Summary Lo\u00efe. 05<\/b><b>\u00a0<\/b><\/p>\n<p style=\"text-align: center;\"><b>Fecha de publicaci\u00f3n: febrero, 2020 \/ Date of publication: february, 2020<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>EDITORIAL<\/b><span style=\"font-weight: 400;\"> por\u00a0 Susana Temperley y Magdalena Casanova (espa\u00f1ol)<\/span><\/p>\n<p><b>REFLEXIONES\/ REFLECTIONS<\/b><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400;\">Ritmo y m\u00e9trica en la clase de danza<\/span><\/i><span style=\"font-weight: 400;\"> por Anibal Zorrilla (espa\u00f1ol)<\/span><\/li>\n<li><i><span style=\"font-weight: 400;\">Some thoughts on Dancers, Labour and Cold War<\/span><\/i><span style=\"font-weight: 400;\"> by Steriani Tsintziloni (English)<\/span><\/li>\n<\/ul>\n<p><b>CRITICAS\/ CRITICS<\/b><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400;\">Videodanza de autor: Expresi\u00f3n sin partenaire. Sobre Iniciaci\u00f3n y Brzemie de Iwona Pasi\u0144ska &#8211; Auteur video-dance: expression without partner. About Initiation and Brzemie by Iwona Pasi\u0144ska <\/span><\/i><span style=\"font-weight: 400;\">por Susana Temperley (espa\u00f1ol) (English)<\/span><\/li>\n<li><i><span style=\"font-weight: 400;\">Enamorarse de una cuidad bailando. Sobre A walk trough the arctic city of Troms\u00f8 (Un paseo por la ciudad \u00e1rtica de Troms\u00f8)<\/span><\/i><span style=\"font-weight: 400;\"> de Fernando Men\u00e9ndez Carbone por Magdalena Casanova (espa\u00f1ol)\u00a0<\/span><\/li>\n<li><i><span style=\"font-weight: 400;\">Acrecentar el decir en danza: DO-BLAR-MU-JER-POR-L\u00cd-NE-A-DE-PUN-TOS<\/span><\/i><span style=\"font-weight: 400;\"> por Claudia L\u00f3pez Barros (espa\u00f1ol).<\/span><\/li>\n<\/ul>\n<p><b>CARTAS DESDE MI VENTANA<\/b><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Carta V: <\/span><i><span style=\"font-weight: 400;\">110 a\u00f1os de Futurismo: \u00bfhay algo que decir?<\/span><\/i><span style=\"font-weight: 400;\"> por Oscar Traversa (espa\u00f1ol)<\/span><\/li>\n<\/ul>\n<p><b>PERFORMANCE<\/b><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400;\">Para problematizar la persona masculina en la escena danc\u00edstica. Apuntes sobre el proyecto \u201cPues s\u00ed\u2026\u201d y sus derivados<\/span><\/i><span style=\"font-weight: 400;\"> por Javier Contreras Villase\u00f1or (espa\u00f1ol)<\/span><\/li>\n<li><i><span style=\"font-weight: 400;\">ARCIPELAGO <\/span><\/i><span style=\"font-weight: 400;\">Collective Signatures III by Marisa Garreffa (English)<\/span><\/li>\n<\/ul>\n<p><b>ENTREVISTAS\/ INTERVIEWS<\/b><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400;\">The views of choreographer and director Fu LE on his own planning of long takes in Mass<\/span><\/i><span style=\"font-weight: 400;\"> &#8211; Fu LE &#8211; TETRAPODE company (English)<\/span><\/li>\n<li><i><span style=\"font-weight: 400;\">El espacio para la danza en F\u00e1brica de Arte Cubano<\/span><\/i><span style=\"font-weight: 400;\">. <em>Entrevista con Sandra Ramy<\/em> por Kaisa Garc\u00eda Hern\u00e1ndez (espa\u00f1ol)<\/span><\/li>\n<\/ul>\n<p><b>LECTURAS SUGERIDAS POR LO\u00cfE\/ SUGGESTED<\/b><b> READINGS<\/b><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400;\">Cr\u00edtica \/ curadur\u00eda \/ cuidadur\u00eda, \u00bfc\u00f3mo rescatar o hackear la figura de la curadora?<\/span><\/i><span style=\"font-weight: 400;\"> por Carolina Tabares Mendoza (espa\u00f1ol)<\/span><\/li>\n<li><i><span style=\"font-weight: 400;\">Siglo XX AC-DC: antes y despu\u00e9s de Cunningham<\/span><\/i><span style=\"font-weight: 400;\"> &#8211; <\/span><i><span style=\"font-weight: 400;\">20th. Century BC-AC: Before and After Cunningham<\/span><\/i><span style=\"font-weight: 400;\"> por Mauro Cacciatore, Paulina Ruiz Carballido, Silvina Szperling (espa\u00f1ol) (English)<\/span><\/li>\n<\/ul>\n<p><b>GALER\u00cdA<\/b><span style=\"font-weight: 400;\">\u00a0<\/span><b>\/ GALLERY<\/b><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400;\">Los dos lados del espejo<\/span><\/i><span style=\"font-weight: 400;\"> \u2013 Serie fotogr\u00e1fica por Coti Cibilis (espa\u00f1ol)<\/span><\/li>\n<\/ul>\n<p><strong>TRABAJO DE GRADUACI\u00d3N<\/strong><\/p>\n<ul>\n<li><i><span style=\"font-weight: 400;\">Lo \u00fanico que puede hacer un cuerpo: primera prueba de video-intervenciones en el espacio p\u00fablico<\/span><\/i><span style=\"font-weight: 400;\"> por Nahuel La Valle (espa\u00f1ol)<\/span><\/li>\n<\/ul>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sumario Lo\u00efe. 05\/ Summary Lo\u00efe. 05\u00a0 Fecha de publicaci\u00f3n: febrero,  &#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-3683","post","type-post","status-publish","format-standard","hentry","category-sumario-loie","ediciones-loie-05"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/3683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/comments?post=3683"}],"version-history":[{"count":5,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/3683\/revisions"}],"predecessor-version":[{"id":3852,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/3683\/revisions\/3852"}],"wp:attachment":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/media?parent=3683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/categories?post=3683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/tags?post=3683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}