{"id":1847,"date":"2019-01-10T00:13:25","date_gmt":"2019-01-10T00:13:25","guid":{"rendered":"http:\/\/loie.com.ar\/?p=1847"},"modified":"2019-01-10T00:39:42","modified_gmt":"2019-01-10T00:39:42","slug":"sumario-summary-loie-00","status":"publish","type":"post","link":"https:\/\/loie.com.ar\/en\/loie-00\/sumario-loie\/sumario-summary-loie-00\/","title":{"rendered":"Summary\/ Sumario – Lo\u00efe. 00"},"content":{"rendered":"

<\/p>\n

Summary Lo\u00efe. 00\u00a0<\/strong><\/h4>\n

Original publication date: December, 2017<\/strong><\/h4>\n

 <\/p>\n

BIENVENIDA \/ WELCOME <\/strong>by Silvina Szperling (English)<\/p>\n

EDITORIAL<\/strong>\u00a0por\u00a0Magdalena Casanova y Susana Temperley (Espa\u00f1ol)<\/p>\n

HOMENAJES\/ HOMAGES<\/strong><\/p>\n

    \n
  • N\u00faria Font Sol\u00e1 (1958-2017) <\/em>por Silvina Szperling (Espa\u00f1ol)<\/li>\n
  • Anal\u00edvia Cordeiro. Una trayectoria pionera<\/em>\u00a0por Leonel Brum (Espa\u00f1ol) \/\u00a0Anal\u00edvia Cordeiro: uma trajet\u00f3ria pioneira\u00a0<\/em>de\u00a0Leonel Brum (Portugues)<\/li>\n<\/ul>\n

    CRITICAS\/ CRITICS<\/strong><\/p>\n

      \n
    • Family Game, entre el biodrama, la videodanza y la performance en telepresencia\u00a0<\/em>por Majo Rub\u00edn (Espa\u00f1ol)<\/li>\n<\/ul>\n

      ENTREVISTAS\/ INTERVIEWS<\/strong><\/p>\n

        \n
      • Thought and Decision of Behind the Camera. Talking with Margaret Williams <\/em>by Susana Temperley (English)<\/li>\n<\/ul>\n

        ENCUENTROS\/ MEETINGS<\/strong><\/p>\n

          \n
        • Memorias: movimiento y tiempo continuo\u00a0<\/em>por Melisa Ca\u00f1as (Espa\u00f1ol)<\/li>\n<\/ul>\n

          EXPERIENCIAS CURATORIALES\/ CURATORIAL EXPERIENCES <\/strong><\/p>\n

            \n
          • Falsa Danza\/ Fake Dance<\/em>\u00a0por Susana Temperley -curadora- (Espa\u00f1ol) \/\u00a0Falsa Danza\/ Fake Dance<\/em>\u00a0by Susana Temperley -curator- (English)<\/li>\n<\/ul>\n
              \n
            1. Dar a (entre)ver. Inversiones entre verdad, mentira y ficci\u00f3n\u00a0<\/em>por Valeria Mart\u00ednez (Espa\u00f1ol)<\/li>\n
            2. Sal\u00f3n de espejos\u00a0<\/em>por Andr\u00e9s Hare (Espa\u00f1ol)<\/li>\n
            3. Falsa Danza: \u00bfser enga\u00f1ado o dejarse enga\u00f1ar?<\/em>\u00a0por Melisa Alzugaray (Espa\u00f1ol)<\/li>\n
            4. Conversaciones con Mauro Cacciatore y Andy Menutti. Una aproximaci\u00f3n a la relaci\u00f3n entre m\u00fasica y danza a trav\u00e9s de <\/em>Condici\u00f3n Fractal por Natacha Mu\u00f1iz (Espa\u00f1ol)<\/li>\n<\/ol>\n

              PROYECTOS \/ WORK IN PROGRESS<\/strong><\/p>\n

                \n
              • Movimiento autoconsciente e inteligencia cognitiva: conexi\u00f3n entre el cuerpo humano y humanoide\u00a0<\/em>por Alejandra Ceriani (Espa\u00f1ol)<\/li>\n<\/ul>\n

                FESTIVALES\/ FESTIVALS<\/strong><\/p>\n

                  \n
                • Potencialidades creativas y arte relacional: el trabajo de <\/em>Agite y Sirva, Festival Itinerante de Videodanza de M\u00e9xico\u00a0<\/em>por Ximena Monroy Rocha y Paulina Ruiz Carballido (Espa\u00f1ol)<\/li>\n
                • Simposio <\/em>Light Moves Festival. Una experiencia de viaje\u00a0<\/em>por Susana Temperley\u00a0(Espa\u00f1ol) \/ Light Moves Festival Symposium. A Travel Experience\u00a0<\/em>by Susana Temperley (English)<\/li>\n<\/ul>\n

                  \u00a0<\/strong>OTROS CUERPOS\/ OTHER BODIES<\/strong><\/p>\n

                    \n
                  • TanGo. Misterios del cuerpo abyecto\u00a0<\/em>S\/F (Espa\u00f1ol)<\/li>\n
                  • Un rinc\u00f3n de mundo\u00a0<\/em>por Magdalena Casanova (Espa\u00f1ol)<\/li>\n<\/ul>\n

                    PUBLICACIONES\/ PUBLICATIONS<\/strong><\/p>\n

                      \n
                    • Uno de cinco, Memoria Hist\u00f3rica de la Videodanza\u00a0<\/em>por Eduardo Sabugal Torres (Espa\u00f1ol)<\/li>\n
                    • Videodanza. Complejidad y periferia. Hacia una plataforma de an\u00e1lisis de la danza en interacci\u00f3n con la tecnolog\u00eda\u00a0<\/em>por Eugenia Lino (Espa\u00f1ol)<\/li>\n<\/ul>\n

                       <\/p>\n

                      <\/p>","protected":false},"excerpt":{"rendered":"

                      Summary Lo\u00efe. 00\u00a0 Original publication date: December, 2017   BIENVENIDA …<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-1847","post","type-post","status-publish","format-standard","hentry","category-sumario-loie","ediciones-loie-00"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/1847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/comments?post=1847"}],"version-history":[{"count":6,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/1847\/revisions"}],"predecessor-version":[{"id":1994,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/posts\/1847\/revisions\/1994"}],"wp:attachment":[{"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/media?parent=1847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/categories?post=1847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/loie.com.ar\/en\/wp-json\/wp\/v2\/tags?post=1847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}