{"id":11467,"date":"2026-11-06T11:09:12","date_gmt":"2026-11-06T14:09:12","guid":{"rendered":"https:\/\/loie.com.ar\/?p=11467"},"modified":"2026-11-06T11:10:22","modified_gmt":"2026-11-06T14:10:22","slug":"sumario-loie-19-summary-loie-19","status":"publish","type":"post","link":"https:\/\/loie.com.ar\/en\/loie-19\/sumario-loie\/sumario-loie-19-summary-loie-19\/","title":{"rendered":"Summary Lo\u00efe 19\/ Sumario Lo\u00efe 19"},"content":{"rendered":"<p><\/p>\n<p><strong>EDITORIAL <\/strong>by\u00a0Magdalena Casanova y Susana Temperley<\/p>\n<p><strong>ENTREVISTA\/ INTERVIEW<\/strong><\/p>\n<ul>\n<li><em>Un encuentro con Claudia Kappenberg. Entrevista p\u00fablica a cargo del Proyecto de Investigaci\u00f3n \u00abPra\u0301cticas curatoriales en danza y performance: cruces disciplinarios entre archivo y creacio\u0301n\u00bb <\/em>(Spanish) by Grupo PIACYT.<\/li>\n<\/ul>\n<p><strong>REFLEXIONES\/ REFLECTIONS<\/strong><\/p>\n<ul>\n<li><em>Vingslag <\/em>by Karin Brygger (English)<\/li>\n<\/ul>\n<p><strong>OTROS CUERPOS\/ OTHER BODIES<\/strong><\/p>\n<ul>\n<li><em>Como una ca\u00edda by <\/em>Liliana Lutkin (Spanish)<\/li>\n<\/ul>\n<p><strong>INVESTIGACI\u00d3N\/ RESEARCH<\/strong><\/p>\n<ul>\n<li><em>Bailar entre pampas. Notas sobre danza(s), archivo y regi\u00f3n by<\/em> Victoria Alcala (Spanish)<\/li>\n<li><em>Tecno-ontolog\u00eda de la corporalidad de la danza. Un debate presente en el marco del Coloquio internacional de Filosof\u00eda de la T\u00e9cnica &#8211; agosto\/2026<\/em> by Alejandra Vignolo (Spanish)<\/li>\n<\/ul>\n<p><strong>HOMENAJE\/HOMAGE<\/strong><\/p>\n<ul>\n<li><em>Un extendido adi\u00f3s a Graciela Taquini <\/em>(Spanish)<\/li>\n<\/ul>\n<p><strong>CURADUR\u00cdA\/ CURATORSHIP<\/strong><\/p>\n<ul>\n<li><em>Abrir la boca. Archivo Lida Martinoli<\/em> by Nora Moreno Mac\u00edas y Claudia Molinari (Spanish)<\/li>\n<\/ul>\n<p><strong>PERFORMANCE<\/strong><\/p>\n<ul>\n<li><em>Construcciones ciberespecies y pluralidad sintiente. Demarcaciones de nuevos territorios en las obras \u00abManifiesto de mis preguntas\u00bb (2022) y \u00abEjercicios para mover la sombra\u00bb (2025) de Natalia Forcada<\/em> by Alejandra Rond\u00f3n (Spanish)<\/li>\n<\/ul>\n<p><strong>LECTURAS SUGERIDAS POR LO\u00cfE\/ SUGGESTED READINGS FROM LO\u00cfE<\/strong><\/p>\n<ul>\n<li><em>Otra Textura.<\/em>\u00a0<em>Sobre \u00abDanza situada\u00bb de Andrea Castelli<\/em> by Nora Moreno Macias (Spanish)<\/li>\n<\/ul>\n<p><strong>CRITICAS\/ CRITICS<\/strong><\/p>\n<ul>\n<li><em>Superficie y memoria. Sobre \u201c1905-2001 Vienna \u2013 Bombay- Londres\u201d<\/em> <em>de Claudia Kappenberg<\/em> by Susana Temperley (Spanish-English)<\/li>\n<li><em>Rasgar la l\u00ednea. Sobre \u00abDos cuerpos en desborde\u00bb de Marina Julieta Amestoy by<\/em> Mercedes Osswald (Spanish)<\/li>\n<li><em>Narrar, bailar. S<\/em>obre<em> \u201c<\/em><em>Cr\u00f3nica de una mujer<strong>\u201d<\/strong><\/em> <em>de Alma Canobbio by <\/em>Emma Bartoloni (Spanish)<\/li>\n<\/ul>\n<p><strong>GALER\u00cdA\/ GALLERY<\/strong><\/p>\n<ul>\n<li><em>Lida Martinoli. Una bailarina argentina para (des)archivar by<\/em> Magdalena Casanova, Lola V\u00e1zquez y Lucero Arenillas (Spanish)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\">**<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>EDITORIAL by\u00a0Magdalena Casanova y Susana Temperley ENTREVISTA\/ INTERVIEW Un encuentro  &#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-11467","post","type-post","status-publish","format-standard","hentry","category-sumario-loie","ediciones-loie-19"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"EDITORIAL by Magdalena Casanova y Susana Temperley ENTREVISTA\/ INTERVIEW Un encuentro con Claudia Kappenberg. 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